All Paths Connect at Some Point or Another

Maude Arsenault
Michael Tyrone Delaney
Rebekka Deubner
Daniela Ruiz de Esparza
Thomas Locke Hobbs
Sara Perovic
Kisshomaru Shimamura

September 12 – October 3, 2021

Book Appointment

All Paths Connect at Some Point or Another is a group exhibition of works from Maude Arsenault, Michael Tyrone Delaney, Rebekka Deubner, Daniela Ruiz de Esparza, Thomas Locke Hobbs, Sara Perovic and Kisshomaru Shimamura. It takes place digitally and in our space The Fulcrum, in Chinatown.

The group exhibition offers an intimate space removed from both your domestic and the natural worlds, and allows viewers reflection through the  ruminations of others. The works presented give evidence to an intimacy resembling familiarity within something constructed. The spaces give an illusion of a collective life without the gratification of touch, alluding to a speculative space, places where imagined light never is.

Simplicity

Ellen Schafer

June 27 – August 6, 2021

Simplicity is an exhibition of new works by Los Angeles based artist Ellen Schafer. It takes place across two spaces, New Low and The Fulcrum, in Chinatown.

“As I write this text, I feel so acutely aware of the collection of people who have been present during this leg of my journey, intermittently walking with me through to its end. I have felt embraced by kitchen table conversation, hike breaks, pep talks over the phone, production advice, dinner and beer, shared laughter and mutual understanding. Care, in its dispersion of forms. The padding that keeps us bound to one another more sturdily than simply the art. This show has grown out of a collection of things that can’t be neatly broken down into its parts: stuffed animals, storefront signage, school photos, play furniture and branded ‘playsuits’, birthday banners, charm bracelets, and studio trash.

This past year and a half has been an evaluative passage of time for me, as I imagine it has been for others in the daycare. The daycare, functioning here, as a framing device for the community of people and spaces that art lives through; how we imagine, care, and play in the company of one another. I turn to my studio and find metaphor in the overflowing studio trash bin tipped over, its contents strewn across the floor. In its mess, I see labor, desire, attempts at communication and connection, and teaching moments. I see the closest thing I have known to having purpose and hope and love and joy, poured into occupation, piling up and spilling out. I’m rummaging through narratives in cast foam numbers and letters, multi-color plastic barbie doll heels, cuttings from the trimming of artwork, tiny air dry clay maquettes of rat and lobster costumes. Relationships formed and frayed. Remnants of things I have ‘played’ with, that have kept me ‘playing’ with others. The trash bin is a bottomless pit. A hole 2 big the heart can’t fill.
This exhibition has evolved as a self-conscious address to the daycare as a site, as much as it has become about my impulse to live my life inside of a studio, the people I play with, and the objects I make while passing the time. Me, the eternal art student-in-waiting, finally ‘graduated’ to the other side. All this, coinciding with a re-emergence and reconnection to the world. How could this be anything other than a meditation on my art practice and my relationship to you and everyone else that we know.” – Ellen Schafer

Ellen Schafer (b. 1985, New York, NY) is a Los Angeles based artist. She received a BFA from the Glasgow School of Art in 2012, was at USC Roski School of Art and Design MFA program from 2014-15, and received an MFA from the University of California, Irvine in 2020. She is also working towards a solo exhibition at Galerie Wonnerth Dejaco in Vienna in November.